I
f the Indonesian Film Festival has a category award for the film with scenes of crying the most, maybe this film champion. Film 'In Mihrab Love' directed by Habiburrahman El Shirazy, a successful writer whose work, 'When the Mix' is the only film with genuine Egyptian setting, the other false. As a religious drama, the film presents the story of repentance or conviction of a blue-filled scenes that confuse every ten minutes or so characters in the movie cry-with a variety of reasons.
The first cries came from a girl named Zizi scarf-covered somehow every girl in the film Indonesia has always liked to cry. Cries the second coming of Syamsul Hadi, the protagonist of this film, my friends who were beaten for stealing his pesantren. The third comes from the mother's cries Syamsul and Nadia, the sister who knows Syamsul Syamsul 'steal' at boarding school. The fourth and subsequent cries of course involves Syamsul and Muslim women in the film is sufficiently dominant place.
However, scenes of crying and tears of repentance is not valid without a story that allows munkar defined, commanding the good and enforced. Syamsul (Dude Harlino) youth of 20 years from the Pekalongan go study at the pesantren Al Furqan in Kediri. On the way, he helps a girl named Zizi veiled seizure of the business. Zizi is the daughter of the owner of Syamsul boarding place to learn.Ironically, in pesantren Al Furqan, Syamsul expelled for allegedly stealing due to slander his own best friend, Burhan.
Parents Syamsul disappointed. He was persecuted by his own brother and father. Because the family no longer believes, Syamsul was running away from home and become pickpockets. In an action, by mistake he picked a girl named Sylvie solehah, who happens Burhan girlfriend. In fact, Burhan also targeting Zizi. With the motivation to take revenge on Burhan, Syamsul trying to find Sylvie. But thanks to a variety of events and especially thanks to the guidance of Allah, Syamsul finally repent and turn into a very well-known cleric.
Like the conversion narrative films / conviction in general, of course Burhan violent criminals will be punished her severely. But, the story is not over because Syamsul solehah must choose two women who both want it. Burhan Sylvie is dumped in a scene that would be quite angered women activists, turned to hate Burhan and choose Syamsul. Zizi is always with family Syamsul secretly in love with Syamsul. Alhamdulillah, Syamsul find a way to avoid munkar polygamy. Final message of this movie is do not call while driving if you do not want to die in vain.
Compared to horror movies and seksploitasi the closing of 2010, 'In Love Mihrab' arguably still a bit better though interwoven stories and especially the acting of the players will always remind us of the religious dramas on television. Dude Harlino Asmirandah placement-both players and soap opera-reinforced this impression, but because there were many scenes monologues that became the main aesthetic tool patron-patron today. But, what is the meaning of a flood of films with messages such as this patronizing and un-Islamic? Does the film (and filmmakers) are trying to present the image of Islam that is different from similar films? Are these films are willing to be a propaganda tool for the people of Indonesia, which obviously is Islam? Or is it just an old trick Sinemart who feel successful with the kind of film 'When the Mix'?
I just returned from a country in the Arabian peninsula to see the movies berhasa Arabic. None of the movies I watch explores the dialogue of characters preceded by the words "God willing", "Good Heavens", or words that are considered Islamic. None I see scenes of people praying. Not well, the narrative of conversion / conviction is the theme of the story. If you like this, which is more Islamic, more Arab - countries that actually located in the Arabian peninsula or Indonesia?
f the Indonesian Film Festival has a category award for the film with scenes of crying the most, maybe this film champion. Film 'In Mihrab Love' directed by Habiburrahman El Shirazy, a successful writer whose work, 'When the Mix' is the only film with genuine Egyptian setting, the other false. As a religious drama, the film presents the story of repentance or conviction of a blue-filled scenes that confuse every ten minutes or so characters in the movie cry-with a variety of reasons.
The first cries came from a girl named Zizi scarf-covered somehow every girl in the film Indonesia has always liked to cry. Cries the second coming of Syamsul Hadi, the protagonist of this film, my friends who were beaten for stealing his pesantren. The third comes from the mother's cries Syamsul and Nadia, the sister who knows Syamsul Syamsul 'steal' at boarding school. The fourth and subsequent cries of course involves Syamsul and Muslim women in the film is sufficiently dominant place.
However, scenes of crying and tears of repentance is not valid without a story that allows munkar defined, commanding the good and enforced. Syamsul (Dude Harlino) youth of 20 years from the Pekalongan go study at the pesantren Al Furqan in Kediri. On the way, he helps a girl named Zizi veiled seizure of the business. Zizi is the daughter of the owner of Syamsul boarding place to learn.Ironically, in pesantren Al Furqan, Syamsul expelled for allegedly stealing due to slander his own best friend, Burhan.
Parents Syamsul disappointed. He was persecuted by his own brother and father. Because the family no longer believes, Syamsul was running away from home and become pickpockets. In an action, by mistake he picked a girl named Sylvie solehah, who happens Burhan girlfriend. In fact, Burhan also targeting Zizi. With the motivation to take revenge on Burhan, Syamsul trying to find Sylvie. But thanks to a variety of events and especially thanks to the guidance of Allah, Syamsul finally repent and turn into a very well-known cleric.
Like the conversion narrative films / conviction in general, of course Burhan violent criminals will be punished her severely. But, the story is not over because Syamsul solehah must choose two women who both want it. Burhan Sylvie is dumped in a scene that would be quite angered women activists, turned to hate Burhan and choose Syamsul. Zizi is always with family Syamsul secretly in love with Syamsul. Alhamdulillah, Syamsul find a way to avoid munkar polygamy. Final message of this movie is do not call while driving if you do not want to die in vain.
Compared to horror movies and seksploitasi the closing of 2010, 'In Love Mihrab' arguably still a bit better though interwoven stories and especially the acting of the players will always remind us of the religious dramas on television. Dude Harlino Asmirandah placement-both players and soap opera-reinforced this impression, but because there were many scenes monologues that became the main aesthetic tool patron-patron today. But, what is the meaning of a flood of films with messages such as this patronizing and un-Islamic? Does the film (and filmmakers) are trying to present the image of Islam that is different from similar films? Are these films are willing to be a propaganda tool for the people of Indonesia, which obviously is Islam? Or is it just an old trick Sinemart who feel successful with the kind of film 'When the Mix'?
I just returned from a country in the Arabian peninsula to see the movies berhasa Arabic. None of the movies I watch explores the dialogue of characters preceded by the words "God willing", "Good Heavens", or words that are considered Islamic. None I see scenes of people praying. Not well, the narrative of conversion / conviction is the theme of the story. If you like this, which is more Islamic, more Arab - countries that actually located in the Arabian peninsula or Indonesia?
Facebook
0 komentar:
Post a Comment